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Untitled, 1934
Lin Yu-shan (Taiwanese, 1907-2004); Taiwan
Ink on paper; 74 × 20 1/2 × 1 in.
…
Scroll Painting
Untitled, 1934
Lin Yu-shan (Taiwanese, 1907-2004); Taiwan
Ink on paper; 74 × 20 1/2 × 1 in.
…
Untitled, 1934 Lin Yu-shan (Taiwanese, 1907-2004); Taiwan Ink on paper; 74 × 20 1/2 × 1 in. 2020.2.1 Gift of Aloysius F. Kuo

Scroll Painting

ClassificationsPaintings-scrolls
Artist Lin Yu-shan (Taiwanese, 1907 - 2004)
Date1934
Made AtTaiwan, Asia
MediumInk on paper
DimensionsPainting on support: 74 × 20 1/2 × 1 in. (188 × 52.1 × 2.5 cm)
Painting: 52 3/4 × 12 7/8 in. (134 × 32.7 cm)
Credit LineGift of Aloysius F. Kuo
Object number2020.2.1
DescriptionThis was painted in 1934 by the Taiwanese artist Lin Yu-shan, considered a master of traditional Chinese style paintings. Born during the Japanese occupation of Taiwan in 1907, Lin first achieved a measure of renown in Taiwan by painting in gouache. However, before and during his stays in Japan in the late 1920s and ‘30s, he began to study Chinese poetry and literati painting. Though he experimented in ink painting after returning from Japan, it was not until gouache paintings fell out of favor in Taiwan following Retrocession that he overtly transitioned towards traditional Chinese ink painting. He most often painted birds, animals and flowers, and rather than be influenced by Japanese ink painting his works drew largely from Song Dynasty painting. He has been credited as one of the many influencers of his style’s renaissance in China. Lin Yu-shan was a firm believer in close observations of nature and fused human emotion with his subject matters by painting outdoors. His techniques included an array of material usage, such as varying brushes, dishes, hide glue, ivory knives and others. His use of different brush strokes and textures give a cohesive sense of movements in his compositions, from the angle of a birds gaze to the direction of the wind. His work accurately captures the expressions of animals because of his extensive studies in plein air. Small details such as the pupils of a tiger and the feathers of a bird’s plumage indicate anatomically correct impressions, while his unique texture strokes create a full story within a single painting.
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