Skip to main content
House of the Head (Ìlé Orí), 19th to 20th Century
Yoruba culture; Nigeria, Benin or Togo
Shel…
House of the Head (Ìlé Orí)
House of the Head (Ìlé Orí), 19th to 20th Century
Yoruba culture; Nigeria, Benin or Togo
Shel…
House of the Head (Ìlé Orí), 19th to 20th Century Yoruba culture; Nigeria, Benin or Togo Shell, leather, canvas and bead; 15 x 10 in. 2004.60.3 Gift of James and Gladys Strain

House of the Head (Ìlé Orí)

ClassificationsSculpture
Culture Yoruba
Date19th to 20th Century
Made AtNigeria, Africa
Made AtBenin, Africa
Made AtTogo, Africa
MediumShell, leather, canvas and bead
Dimensions15 × 10 in. (38.1 × 25.4 cm)
Credit LineGift of James and Gladys Strain
Object number2004.60.3
DescriptionIn the traditional Yoruba religion of southwest Nigeria, Benin and Togo, before one is born they stand before a wall of potential destinies and choose their own. Once they have entered the world of the living this destiny’s embodiment can be commissioned to be made by an artisan. The finished product is called an ìbòrí, inner head, after the belief that the head is the most important part of the person, controlling every aspect of being. This object takes the form of a small, conical or pyramidal structure made of leather, canvas, money cowrie shells, and a fine sand consecrated by divination priests. The immense job of protecting the ìbòrí is given to a larger but otherwise similarly constructed container of leather and cowrie shell, the ìlé orí, home for the head.

Orí, the Yoruba word for head is itself an extremely complicated deity in the Yoruban pantheon. The dual meaning of a crucial Yoruban creation story indicates that Orí both the conqueror of all of the lesser gods, Òrìṣà, and created them. This confusion is perhaps partially explained by contested belief that Orí is an aspect of Olódùmarè’s being, he who sits atop the pantheon of Yoruba gods. Though Orí and an individual’s ìbòrí are abstract concepts as noted above the ìbòrí can take physical form in the world of the living. The same Ifá priests who conduct divination with the otherworld are involved in their creation, using the divine essence of Olódùmarè to create a bridge between the world of the living and the otherworld. At a later point when one can afford the costly amount of cowrie required to make an ìlé orí, a home for the head is built. From then on, the ìbòrí is only taken out of its containers on rare occasions: for consultation and to appease Orí who holds sway over one’s destiny. Gifts with corresponding positive outcomes are offered to ward off evil, avert disasters, and to attract fortune and happiness.

For the Yoruba bad luck can be attributed to neglecting one’s ìbòrí or to having chosen a bad ìbòrí from Àjàlá, the maker of heads in the otherworld. While the latter is considered a permanent pox, properly attending to one’s ìbòrí can alleviate this. Furthermore, even someone with a good ìbòrí can squander their well selected destiny by not paying it its due.

Cowrie shells, the primary component of both ìbòrí and ìlé orí, were first introduced to Yorubaland in the 15th Century, becoming widespread by the 16th Century. These small white shells are vitally important as currency and either a symbol of good fortune or fertility throughout much of the world. Despite this, it was rare that they would take on a form so intricately tied to the spiritual one of ìbòrí. It was the good fortune associated with cowrie shells that led to their use in ìbòrí and ile ori. Completely, coated in row after row of these shells the symbolism is obvious: literally, one’s fate would is surrounded by good fortune. As a currency though, the use of cowrie shells in this way had serious financial ramifications. The Yoruba saying:

“Tightly packed and plentiful is money
used in making Ori’s house,
But loose and free are the beads of the wealthy.”

Indicates a wrongdoing by those who would remain wealthy and neglect their ìbòrí, as a hole in either the ìbòrí or the ìlé orí would cause their concentrated power to diminish. The ìlé orí especially was an investment with no early exit. Some of these objects held as many as 12000 cowrie shells. As for the eventual fate of the cowrie shells, after death the ìbòrí and ìlé orí are shattered over the grave of the deceased. Some sources indicate that the cowrie shells were later collected by the family to be reused, but other sources note that these remains were buried with the dead. Archeological evidence at a number of Yorubaland sites indicates that cowrie shells have been found in mounds, but the numbers seem to indicate that the former is the case.

Various factors including the large scale, bird finial, and open design of the top indicate that this ìlé orí was made for and used by rulers. Why exactly this ìlé orí was not shattered when its royal owner passed away is unclear, the likeliest answer being that they converted to either Islam or Christianity during their lifetime.
On View
Not on view
House of the Head (Ìlé Orí), 19th to 20th Century
Yoruba culture; Nigeria, Benin or Togo
Cowr…
Yoruba
19th to 20th Century
House of the Head (Ìlé Orí), 19th to 20th Century
Yoruba culture; Nigeria, Benin or Togo
Fabr…
Yoruba
19th to 20th Century
Yoruba Twin Ibeji Sculpture (Female), 20th Century
Yoruba culture; Nigeria
Wood; 11 in.
82.3…
Yoruba
20th Century
Yoruba Twin Ibeji Sculpture (Male), 20th Century
Yoruba culture; Nigeria
Wood and metal; 11 i…
Yoruba
20th Century
Necklace, early to mid 20th Century
Goroka, East Highlands Province, Papua New Guinea, Melanes…
early to mid 20th Century
Shell Necklace, mid 20th Century
Palau, Micronesia
Cowrie shell and fibers; 5/8 × 32 1/2 in.
…
mid 20th Century
Headdress, mid 20th Century
Western Highlands Province, Papua New Guinea, Melanesia
Bailer sh…
mid 20th Century
Sash or Belt, early to mid 20th Century
Naga culture; Nagaland, India
Wool and shell; 7 1/4 ×…
Naga
early to mid 20th Century
Necklace, mid 20th Century
Sepik River Region, East Sepik Province, Papua New Guinea, Melanesi…
mid 20th Century
Armband Currency (Mwali); early to mid 20th Century
Massim culture; Gawa Island, Marshall Benn…
Massim
early to mid 20th Century
Necklace Currency (Soulava or Bagi), early to mid 20th Century
Massim culture; Tagula (Sudest)…
Massim
early to mid 20th Century
Palm Wine Drinking Cup, 20th Century 
Lele people; Democratic Republic of the Congo
Wood; 5 3…
Lele
20th Century