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Necklace Currency (Soulava or Bagi), early to mid 20th Century
Massim culture; Tagula (Sudest)…
Necklace Currency (Soulava or Bagi)
Necklace Currency (Soulava or Bagi), early to mid 20th Century
Massim culture; Tagula (Sudest)…
Necklace Currency (Soulava or Bagi), early to mid 20th Century Massim culture; Tagula (Sudest) Island, Louisiade Archipelago, Milne Bay Province, Papua New Guinea, Melanesia Spondylus shell, conch shell, pearl shell, seed, plastic and fiber; 31 1/8 × 8 3/8 × 6 1/4 in. 2013.16.1 Bowers Museum Purchase

Necklace Currency (Soulava or Bagi)

ClassificationsClothing and Adornments-neck ornaments
Culture Massim
Dateearly to mid 20th Century
Made AtMilne Bay Province, Papua New Guinea
MediumSpondylus shell, conch shell, pearl shell, seed, plastic, and fiber
Dimensions31 1/8 × 8 3/8 × 6 1/4 in. (79.1 × 21.3 × 15.9 cm)
Credit LineBowers Museum Purchase
Object number2013.16.1
DescriptionThe Kula ring is a ceremonial exchange that takes place in the Milne Bay Province of Papua New Guinea. It spans an archipelago with 18 participating Massim communities and involves thousands of islanders. Each year, participants sail hundreds of miles in canoes decorated with cowrie shells and painted splashboards and prows to trade soulava (also called bagi), a type of red shell necklace, and mwali, shell armbands. Though the trade items are at the center of the deals, food and other goods are also worked into the complex negotiations, making Kula an important lifeline for many smaller islands.

Soulava are traded clockwise and Mwali are traded counterclockwise around the Kula ring. Most men who participate in Kula exchange will have two partners with whom they almost exclusively trade, one for soulava and the other for mwali. With each swap both soulava and mwali are further adorned with shells and beads, causing them to increase in value and prestige as they move around the Kula ring.

Mwali and soulava were only worn on rare occasions such as ceremonial dances, great feasts, and gatherings where several villages were represented. Given their primary use as a trade item and the rigidity of their medium, some mwali were made too small to be worn. Incredibly ornate pieces that have been traded for many cycles are often named. Generally, soulava receive male names and mwali receive female names.
On View
On view
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