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Bowl, 1200-1500 CE
Taíno culture; Dominican Republic, Caribbean
Ceramic; 6 1/4 × 6 1/2 × 5 1/…
Bowl
Bowl, 1200-1500 CE
Taíno culture; Dominican Republic, Caribbean
Ceramic; 6 1/4 × 6 1/2 × 5 1/…
Bowl, 1200-1500 CE Taíno culture; Dominican Republic, Caribbean Ceramic; 6 1/4 × 6 1/2 × 5 1/2 in. 2001.73.2 Gift of Mr. and Mrs. Warren and Nancy Lampkin

Bowl

ClassificationsFurnishings-Serviceware-bowls
Culture Taíno
Date1200-1500 CE
Made AtDominican Republic
MediumCeramic
Dimensions6 1/4 × 6 1/2 × 5 1/2 in. (15.9 × 16.5 × 14 cm)
Credit LineGift of Mr. and Mrs. Warren and Nancy Lampkin
Object number2001.73.2
DescriptionThis ceramic bowl adorned with skeletonized frog figures is from the Taíno culture in the Dominican Republic, made 1200-1500 CE. Frogs were symbols of fertility as well as transformation. They begin their existence as a water-based creature and metamorphose into one that is amphibious. Like frogs, shamans were believed capable of shape-shifting the form of their soul and traveling about in other realms and dimensions of being. The figures likely represent transformed shamans possibly undergoing an initiation. The dual male-frog imagery is an allusion to a shamanic motif appearing in a significant portion of figurative Taíno pottery.

The vast majority of Taíno art to survive the colonization of the Greater Antilles were objects that were either already used in caves as parts of rituals or were moved there following the arrival of Columbus to protect them.

Dating as far back as the second century BCE, migrations of forerunners to the Taíno brought knowledge of pottery making to the Caribbean. Additional waves of migration served to further change the way that pottery was made until around 1000 CE, after which point the various cultures and groups are referred to by the umbrella term Taíno.

The various subgroups that constituted the Taíno created a wealth of different pottery styles, though their earthenware can be characterized by commonly featuring abstracted anthropomorphic and zoomorphic figures with much of the supplemental decoration done as high-relief geometric linework.
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