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Painting (Thangka), late 20th Century
Tibetan culture; Tibet Autonomous Region, China
Distemp…
Painting (Thangka)
Painting (Thangka), late 20th Century
Tibetan culture; Tibet Autonomous Region, China
Distemp…
Painting (Thangka), late 20th Century Tibetan culture; Tibet Autonomous Region, China Distemper on linen cloth, silk brocade and metal; 60 1/2 × 47 × 2 in. 2019.12.1 Gift of Barry and Irena Gernstein

Painting (Thangka)

ClassificationsPaintings
Culture Tibetan
Datelate 20th Century
Made AtTibet Autonomous Region, China, Asia
Collection SiteTibet Autonomous Region, China, Asia
MediumDistemper on linen cloth, silk brocade and metal
Dimensions60 1/2 × 47 × 2 in. (153.7 × 119.4 × 5.1 cm)
Credit LineGift of Barry and Irena Gernstein
Object number2019.12.1
DescriptionThis is a thangka, a narrative painting that was made in Tibet to illustrate Buddhist teachings to a predominantly illiterate public. This painting depicts the meditation diagram for becoming young again. In the top right we see an old man who followed all the teachings and reclaimed his youth. The top left also shows the basic needs of a person to regain their youth: alcohol, grain, salt, medicine and sugar. Other aspects of the work also speak to this central theme. The bottommost section depicts the six realms; beginning on the left top and going counterclockwise, they are: the realm of the gods, the realm of humans, the realm of hungry ghosts, the realm of hell, the realm of animals and the realm of demigods. In the center there are five Buddhas with their wives that represent the five elements and specific deities associated to those elements: yellow for Earth, white for water, red for fire, green for air, and white for space. These Buddhas’ placement is flipped of what it usually would be. Each deity is in the opposite spot than they usually would be—except for the central white one—although these directions vary depend on the specific tradition of teaching. The eight figures around the center may be the Medicine Buddhas. All the Buddhas shown in the center of this painting have lines that are drawn from them to different Medicine Buddhas, as well as drawn to different realms along the bottom. It seems to connect them, though the reason and meaning of this remains unclear.
On View
Not on view
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