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Wave Splitter (Tabuya), 19th to early 20th Century
Massim culture; Gawa Island, Marshall Benne…
Wave Splitter (Tabuya)
Wave Splitter (Tabuya), 19th to early 20th Century
Massim culture; Gawa Island, Marshall Benne…
Wave Splitter (Tabuya), 19th to early 20th Century Massim culture; Gawa Island, Marshall Bennett Islands, Milne Bay Province, Papua New Guinea, Melanesia Wood; 12 5/8 × 25 5/8 × 2 5/8 in. 2017.10.17 Anonymous Gift

Wave Splitter (Tabuya)

ClassificationsTools and Equipment-canoe ornaments
Culture Massim
Date19th to early 20th Century
Collection SiteMilne Bay Province, Papua New Guinea
Made AtMilne Bay Province, Papua New Guinea
MediumWood
Dimensions12 5/8 × 25 5/8 × 2 5/8 in. (32.1 × 65.1 × 6.7 cm)
Credit LineAnonymous Gift
Object number2017.10.17
DescriptionThis wave splitter (canoe prow), the vernacular name for which is tabuya, was collected from the Massim people of Papua New Guinea's Milne Bay Province. Wave splitters are decorative prows affixed above the actual prow of a canoe and attached under a splashboard (lagim). Each canoe has two wave splitters that are located on both the bow and the stern of the vessel. Boomerang-shaped wave splitters such as this example are commonly found on nagega canoes, which are larger and sturdier Kula vessels that are intended for rougher voyages on open waters.

Canoes are the primary language of trade along the Kula ring, a ceremonial trade route in Papua New Guinea's Milne Bay Province. Decorated canoe parts, such as wave splitters (canoe prows), their finials, and splashboards which are transversely socketed into the ends of canoes, signal the arrival of a trader and identify the community they are associated with. Their carvings, black, white, and red palette, and beautiful shell adornments are designed by Massim craftsmen to magically influence one’s trade partners into making disadvantageous exchanges. The patterns of carving and painting on these pieces are unique to the various communities that trade around the Kula ring, making fleets easy to identify. However, some motifs like the rolling forms of waves, coiled serpents, and key navigational stars are universal within Massim groups.
On View
On view
Wave Splitter (Tabuya), early to mid 20th Century
Massim culture; Milne Bay Province, Papua Ne…
Massim
early to mid 20th Century
Wave Splitter (Tabuya), early to mid 20th Century
Massim culture; Milne Bay Province, Papua Ne…
Massim
early to mid 20th Century
Wave Splitter (Tabuya), mid 20th Century
Massim culture; Milne Bay Province, Papua New Guinea,…
Massim
mid 20th Century
Canoe Bailer, 20th Century
Massim culture; Marshall Bennett Islands, Milne Bay Province, Papua…
Massim
20th Century
Splashboard (Lagim), 20th Century
Massim culture; Trobriand Islands, Milne Bay Province, Papua…
Massim
20th Century
Splashboard (Lagim), mid 20th Century
Massim culture; Marshall Bennett Islands, Milne Bay Prov…
Massim
mid 20th Century
Splashboard (Lagim), early to mid 20th Century
Massim culture; Trobriand Island, Milne Bay Pro…
Massim
early to mid 20th Century
Splashboard (Lagim), early to mid 20th Century
Massim culture; Woodlark Island, Milne Bay Prov…
Massim
early to mid 20th Century
Splashboard (Lagim), early to mid 20th Century
Massim culture; Muyua Island, Milne Bay Provinc…
Massim
early to mid 20th Century
Splashboard (Lagim), early to mid 20th Century
Massim culture; Trobriand Islands, Milne Bay Pr…
Massim
early to mid 20th Century
Splashboard (Lagim), early to mid 20th Century
Massim culture; Trobriand Islands, Milne Bay Pr…
Massim
early to mid 20th Century